This bibliography features selected resources for First Year Writing: Legacy of the Mediterranean II.
Anderson, Thomas. “‘All Things Visible in Heaven, or Earth’ : Reading the Illustrations of the 1688 Edition of ‘Paradise Lost.’” Milton Quarterly, vol. 38, no. 3, 2004, pp. 163–187.
Appelbaum, Robert. “Eve’s and Adam’s ‘Apple’: Horticulture, Taste, and the Flesh of the Forbidden Fruit in Paradise Lost.” Milton Quarterly, vol. 36, no. 4, 2002, pp. 221–239.
Dobranski, Stephen B. “Milton’s Social Life.” The Cambridge Companion to Milton, edited by Dennis Danielson, 2nd ed., Cambridge University Press, 1999, pp. 1–24.
Hawkes, David. “Milton among the Pragmatists.” University of Toronto Quarterly, vol. 77, no. 3, 2008, pp. 923–939.
Stevens, Paul. “The Pre-Secular Politics of Paradise Lost.” The Cambridge Companion to Paradise Lost, edited by Louis Schwartz, Cambridge University Press, 2014, pp. 94–108.
Wilburn, Reginald A. “Malcolm X and African-American Literary Appropriations of Paradise Lost.” Milton in Popular Culture, edited by Laura Lunger Knoppers and Gregory M. Colón Semenza, Palgrave Macmillan, 2006.
Bioethics in Mary Shelley's Frankenstein. Edited by Gary Wiener, Greenhaven Press, 2011.
Banerjee, Suparna. “Home Is Where Mamma Is: Reframing the Science Question in Frankenstein.” Women’s Studies, vol. 40, no. 1, 2010, pp. 1–22.
Haggerty, George E. “What Is Queer about Frankenstein?” The Cambridge Companion to Frankenstein, edited by Andrew Smith, Cambridge University Press, 2016, pp. 116–127.
Hawley, Erin. “The Bride and Her Afterlife: Female Frankenstein Monsters on Page and Screen.” Literature/Film Quarterly, vol. 43, no. 3, 2015, pp. 218–231.
Morton, Timothy. “Frankenstein and Ecocriticism.” The Cambridge Companion to Frankenstein, edited by Andrew Smith, Cambridge University Press, 2016, pp. 143–157.
Murray, Christopher. “Frankenstein in Comics and Graphic Novels.” The Cambridge Companion to Frankenstein, edited by Andrew Smith, Cambridge University Press, 2016, pp. 219–240.
Petsche, Jackson. “An Already Alienated Animality: Frankenstein as a Gothic Narrative of Carnivorism.” Gothic Studies, vol. 16, no. 1, 2014, pp. 98–110.
Randel, Fred V. “The Political Geography of Horror in Mary Shelley’s Frankenstein.” ELH, vol. 70, no. 2, 2003, pp. 465-491.
Reese, Diana. “A Troubled Legacy: Mary Shelley's Frankenstein and the Inheritance of Human Rights.” Representations, vol. 96, no. 1, 2006, pp. 48-72.
Shelley, Mary Wollstonecraft. Frankenstein: Complete, Authoritative Text with Biographical, Historical, and Cultural Contexts, Critical History, and Essays from Five Contemporary Critical Perspectives. Edited by Johanna M. Smith, Bedford/St. Martins, 2000.
Dicenso, James. “Psychoanalytic Movement.” Encyclopedia Of Postmodernism, Routledge, 2001, literati.credoreference.com/content/entry/routpostm/psychoanalytic_movement/0. Accessed 6 March 2017.
Eagleton, Terry. “Psychoanalysis.” Literary Theory: An Introduction, University of Minnesota Press, 1996, pp. 131–168.
Jones, Jason B. “Freud, Sigmund.” The Encyclopedia Of Literary And Cultural Theory, edited by Michael Ryan, Blackwell, 2011, literati.credoreference.com.ezproxy.cul.columbia.edu/content/entry/wileylitcul/freud_sigmund/0?id=10755224. Accessed 5 March 2017.
Neu, Jerome. “Introduction.” The Cambridge Companion to Freud, edited by Jerome Neu, Cambridge University Press, 1991, pp. 1–7.
Weed, Elizabeth. “Feminist Psychoanalytic Literary Criticism.” The Cambridge Companion to Feminist Literary Theory, edited by Ellen Rooney, Cambridge University Press, 2006, pp. 261–282.
Antonio, Robert J. “Karl Marx.” The Wiley-Blackwell Companion to Major Social Theorists, edited by George Ritzer and Jeffrey Stepnisky, Wiley-Blackwell, 2011, pp. 115–164.
Carver, Terrell. “Reading Marx.” The Cambridge Companion to Marx, edited by Terrell Carver, Cambridge University Press, 1991, pp. 1–22.
Eagleton, Terry. Marxism and Literary Criticism. University of California Press, 1976.
Wolff, Jonathan. “Karl Marx.” The Stanford Encyclopedia of Philosophy, edited by Edward N. Zalta, Winter 2015, Metaphysics Research Lab, Stanford University, 2015, plato.stanford.edu/archives/win2015/entries/marx/. Accessed 5 March 2017.
The Waste Land
Banerjee, Sheela. “Interpretation and Reality: Anthropological Hauntings in The Waste Land.” Modernism/Modernity, vol. 22, no. 2, 2015, pp. 237–254.
The Cambridge Companion to the Waste Land. Edited by Gabrielle McIntire, Cambridge University Press, 2015.
Cole, Sarah. “Enchantment, Disenchantment, War, Literature.” PMLA, vol. 124, no. 5, 2009, pp. 1632–1647.
Eliot, T. S. The Annotated Waste Land with Eliot’s Contemporary Prose. Edited by Lawrence Rainey, Yale University Press, 2006.
---. The Waste Land: Authoritative Text, Contexts, Criticism. Edited by Michael North, W.W. Norton, 2001.
Longenbach, James. “Modern Poetry.” The Cambridge Companion to Modernism, edited by Michael Levenson, 2nd ed., Cambridge University Press, 2011, pp. 99–127.
McDonald, Gail. “Gender and Sexuality.” The New Cambridge Companion to T. S. Eliot, edited by Jason Harding, Cambridge University Press, 2017, pp. 162–174.
McIntire, Gabrielle. “The Waste Land as Ecocritique.” The Cambridge Companion to The Waste Land, edited by Gabrielle McIntire, Cambridge University Press, 2015, pp. 178–193.
Pondrom, Cyrena N. “T. S. Eliot: The Performativity of Gender in The Waste Land.” Modernism/Modernity, vol. 12, no. 3, 2005, pp. 425-441.
Rainey, Lawrence S. Revisiting the Waste Land. Yale University Press, 2005.
Spurr, Barry. “Religions East and West in The Waste Land.” The Cambridge Companion to The Waste Land, edited by Gabrielle McIntire, Cambridge University Press, 2015, pp. 54–68.
T.S. Eliot's the Waste Land. Edited by Harold Bloom, Chelsea House, 2007.
Trotter, David. “T. S. Eliot and Cinema.” Modernism/Modernity, vol. 13, no. 2, 2006, pp. 237–265.
To the Lighthouse
Bellamy, Suzanne. “The Visual Arts in To the Lighthouse.” The Cambridge Companion to To The Lighthouse, edited by Allison Pease, Cambridge University Press, 2014, pp. 136–145.
Bowlby, Rachel. Feminist Destinations and Further Essays on Virginia Woolf. Edinburgh University Press, 1997.
Brown, Paul Tolliver. “Relativity, Quantum Physics, and Consciousness in Virginia Woolf’s ‘To the Lighthouse.’” Journal of Modern Literature, vol. 32, no. 3, 2009, pp. 39–62.
Carr, Helen. “Virginia Woolf, Empire and Race.” The Cambridge Companion to Virginia Woolf, edited by Susan Sellers, 2nd ed., Cambridge University Press, 2010, pp. 197–213.
Fernald, Anne E. “To the Lighthouse in the Context of Virginia Woolf’s Diaries and Life.” The Cambridge Companion to To The Lighthouse, edited by Allison Pease, Cambridge University Press, 2014, pp. 6–18.
Froula, Christine. Virginia Woolf and the Bloomsbury Avant-Garde: War, Civilization, Modernity. Columbia University Press, 2005.
Helal, Kathleen M. “Anger, Anxiety, Abstraction: Virginia Woolf’s ‘Submerged Truth.’” South Central Review: The Journal of the South Central Modern Language Association, vol. 22, no. 2, 2005, pp. 78–94.
Maze, John. R. Virginia Woolf: Feminism, Creativity, and the Unconscious. Greenwood Press, 1997.
Munca, Daniela. “Virginia Woolf’s Answer to ‘Women Can’t Paint, Women Can’t Write’ in To the Lighthouse.” Journal of International Women’s Studies, vol. 10, no. 4, 2009, pp. 276–289.
Seshagiri, Urmila. “Orienting Virginia Woolf: Race, Aesthetics, and Politics in To the Lighthouse.” MFS: Modern Fiction Studies, vol. 50, no. 1, 2004, pp. 58-84.
Vanita, Ruth. “Bringing Buried Things to Light: Homoerotic Alliances in To the Lighthouse.” Virginia Woolf: Lesbian Readings, edited by Eileen Barrett and Patricia Cramer. New York University Press, 1997.
Goldsmith. “Shopping to Pass, Passing to Shop: Consumer Self-Fashioning in the Fiction of Nella Larsen.” Middlebrow Moderns: Popular American Women Writers of the 1920s, edited by Lisa Botshon and Meredith Goldsmith, Northeastern University Press, 2003, pp. 97–120.
Harrison-Kahan, Lori. “Her ‘Nig’: Returning the Gaze of Nella Larsen’s ‘Passing.’” Modern Language Studies, vol. 32, no. 2, 2002, pp. 109–138.
---. “‘Structure Would Equal Meaning’: Blues and Jazz Aesthetics in the Fiction of Nella Larsen.” Tulsa Studies in Women’s Literature, vol. 28, no. 2, Sept. 2010, pp. 267–289.
Haviland, Beverly. “Passing from Paranoia to Plagiarism: The Abject Authorship of Nella Larsen.” Modern Fiction Studies, vol. 43, no. 2, 1997, pp. 295-318.
Pfeiffer, Kathleen. Race Passing and American Individualism. University of Massachusetts Press, 2003.
Rottenberg, Catherine. “‘Passing’: Race, Identification, and Desire.” Criticism, vol. 45, no. 4, 2003, pp. 435-452.
Scruggs, Charles. “Sexual Desire, Modernity, and Modernism in the Fiction of Nella Larsen and Rudolph Fisher.” The Cambridge Companion to the Harlem Renaissance, edited by George Hutchinson, Cambridge University Press, 2007, pp. 155–169.
Sherrard-Johnson, Cherene. “‘A Plea for Color’: Nella Larsen’s Iconography of the Mulatta.” American Literature, vol. 76, no. 4, 2005, pp. 833–869.
Stringer, Dorothy. ‘Not Even Past’: Race, Historical Trauma, and Subjectivity in Faulkner, Larsen, and Van Vechten. Fordham University Press, 2010.
Van Thompson, Carlyle. “‘Makin a Way Outta No Way:’ The Dangerous Business of Racial Masquerade in Nella Larsen’s Passing.” Women & Performance: A Journal of Feminist Theory, vol. 15, no. 1, Jan. 2005, pp. 79–104.
V for Vendetta
Call, Lewis. “A Is for Anarchy, V Is for Vendetta: Images of Guy Fawkes and the Creation of Postmodern Anarchism.” Anarchist Studies, vol. 16, no. 2, 2008, pp. 154–172.
Comer, Todd A. “Body Politics : Unearthing an Embodied Ethics in V for Vendetta.” Sexual Ideology in the Works of Alan Moore: Critical Essays on the Graphic Novels, edited by Todd A. Comer and Joseph Michael Sommers, McFarland & Company, Inc., Publishers, 2012, pp. 100–110.
Friedman, Michael D. “Shakespeare and the Catholic Revenger: V for Vendetta.” Literature/Film Quarterly, vol. 38, no. 2, 2010, pp. 117–133.
Gray, Maggie. “‘A Fistful of Dead Roses…’. Comics as Cultural Resistance: Alan Moore and David Lloyd’s V for Vendetta.” Journal of Graphic Novels and Comics, vol. 1, no. 1, 2010, pp. 31–49.
Reynolds, James. “‘KILL ME SENTIMENT’: V for Vendetta and Comic-to-Film Adaptation.” Journal of Adaptation in Film and Performance, vol. 2, no. 2, 2009, pp. 121–136.
Torner, Evan. “The Poles of Wantonness : Male Asexuality in Alan Moore’s Film Adaptations.” Sexual Ideology in the Works of Alan Moore: Critical Essays on the Graphic Novels, edited by Todd A. Comer and Joseph Michael Sommers, McFarland & Company, Inc., Publishers, 2012, pp. 111–123.
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Last updated March 27, 2017